Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no one else is protected either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one of the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended being a trilogy. Did it actually end just how you planned it through the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc from the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process.

Q: We understand you worked on the initial screenplay for a film to become depending on The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you are adapting a novel into a two-hour movie you simply can't take everything with you. The story has to become condensed to suit the new form. Then you have the question of how best to look at the sunday paper told inside first person and present tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss to get a second and therefore are privy to all or any of her thoughts so you need a strategy to dramatize her inner world and to produce it feasible for other characters to exist outside her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A large amount of things are acceptable on the page that couldn't survive on a screen. But how certain moments are depicted will ultimately be inside the director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed inside the world you might be currently creating so fully which it is just too challenging to take into consideration new ideas?

A: We've a couple of seeds of ideas boating inside my head but--given very much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and i also can commence to develop it.

Q: The Hunger Games is a yearly televised event through which one boy and one girl from each in the twelve districts is made to participate in a very fight-to-the-death on live TV. What can you believe the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, to ensure when they see real tragedy playing out on, say, the news, it does not possess the impact it should.

Q: In the event you were forced to compete inside Hunger Games, what can you think your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to get hold of an rapier if there was one available. But reality is I'd probably get of a four in Training.

Q: What do you hope readers should come away with when they read The Hunger Games trilogy?

A: Questions about how elements with the books could be relevant in their own lives. And, when they are disturbing, what you might do about them.

Q: What were some of one's favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it's for world control. While it is a clever twist on the original plot, this means that there's less focus for the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by displaying despair both at those she feels in charge of killing and possibly at her motives and choices. This is surely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement for an unsure return to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of every from the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.